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SpectrumFX | 5 Titles

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Girls Trip (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Regina Hall, Queen Latifah, Jada Pinkett Smith

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Happy Death Day (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 96 Minutes

Directed by | Christopher Landon | Cinematography by | Toby Oliver | Editing by | Gregory Plotkin

Starring | Jessica Rothe, Israel Broussard, Ruby Modine

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

San Andreas (2015)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Directed by | Brad Peyton | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Dwayne Johnson, Carla Gugino, Alexandra Daddario, Colton Haynes

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Loft (2014)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

The Loft | ShotOnWhat?

Directed by | Erik Van Looy | Cinematography by | Nicolas Karakatsanis | Editing by | Eddie Hamilton

Starring | Karl Urban, James Marsden, Wentworth Miller, Eric Stonestreet

Cameras | ARRI ALEXA Plus Camera

Lenses | Zeiss Master Prime Lenses

Dawn of the Planet of the Apes (2014)

Motion Picture | 3D | Color | 130 Minutes

Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas

Starring | Gary Oldman, Keri Russell, Andy Serkis, Kodi Smit-McPhee

Cameras | ARRI ALEXA M Camera

Lenses | ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

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