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Directed by | Scott Speer Cinematography by ~ Karsten Gopinath Cameras | Red Epic Camera Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
Search Results: RED EPIC | 381 Titles
Step Up Revolution (2012)
The Hobbit: The Desolation of Smaug (2013)
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Directed by | Peter Jackson Cinematography by ~ Andrew Lesnie Cameras | GoPro HD Hero3 Camera, Red Epic Camera Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses |
Exodus: Gods and Kings (2014)
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Directed by | Ridley Scott Cinematography by ~ Dariusz Wolski Cameras | Red Epic Dragon Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
We Are What We Are (2013)
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Directed by | Jim Mickle Cinematography by ~ Ryan Samul Cameras | Red Epic Camera Lenses | Red Pro Prime Lenses, Red Pro Zoom Lenses |
La lampe au beurre de yak (2013)
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Directed by | Wei Hu Cinematography by ~ Stéphane Degnieau, Jean Legrand Cameras | Red Epic Camera Lenses | Red Pro Prime Lenses |
The Muppets (2011)
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Directed by | James Bobin Cinematography by ~ Don Burgess Cameras | Red Epic Camera, Red One MX Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Big Sur (2013)
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Directed by | Michael Polish Cinematography by ~ M. David Mullen Cameras | Red Epic Camera, Red One Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses |
The Raid 2 (2014)
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Directed by | Gareth Evans Cinematography by ~ Matt Flannery, Dimas Imam Subhono Cameras | GoPro HD Hero3 Camera, Red Epic Camera, Red Scarlet Camera Lenses | Zeiss Ultra Prime Lenses |
The Expendables 3 (2014)
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Directed by | Patrick Hughes Cinematography by ~ Peter Menzies Jr. Cameras | Blackmagic Cinema Camera, Red Epic Camera, Red Scarlet Camera |
En solitaire (2013)
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Directed by | Christophe Offenstein Cinematography by ~ Guillaume Schiffman Cameras | Red Epic Camera, Red Scarlet Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses |
Fishing Without Nets (2014)
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Directed by | Cutter Hodierne Cinematography by ~ Alex Disenhof Cameras | Red Epic Camera, Red Scarlet Camera Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Super Speed Lenses |
Rubinrot (2013)
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Directed by | Felix Fuchssteiner Cinematography by ~ Sonja Rom Cameras | Red Epic Camera, Red One MX Camera |
Better Call Saul (2015)
TimeScapes (2012)
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Directed by | Tom Lowe Cinematography by ~ Tom Lowe Cameras | Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera Lenses | Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses |
The First Aggregate (2012)
Awaiting (2015)
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Directed by | Mark Murphy Cinematography by ~ Hong Manley Cameras | Red Epic Camera Lenses | Cooke S4/i Lenses, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Red Pro Prime 300 mm T2.9 Lens |
The Hobbit: The Battle of the Five Armies (2014)
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Directed by | Peter Jackson Cinematography by ~ Andrew Lesnie Cameras | Red Epic Camera, Red One MX Camera Lenses | Zeiss Ultra Prime Lenses |
Die Pro (2015)
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Directed by | Andre Velts Cinematography by ~ Eduan Kitching Cameras | Red Epic Camera, Red Scarlet Camera Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens |
A Hidden Life (2019)
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Directed by | Terrence Malick Cinematography by ~ Jörg Widmer Cameras | Red Epic Dragon Camera Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens |
Surviving Confession (2019)
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Directed by | Matthew Tibbenham Cinematography by ~ Mark Farney Cameras | Red Epic Camera, Red Scarlet Camera |
