Aj Mulley

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F9 | ShotOnWhat?

Vfx Coordinator: DNEG

F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

No Time to Die | ShotOnWhat?

Digital Artist: DNEG, Vfx Coordinator: DNEG

No Time to Die (2021)

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Matrix Resurrections | ShotOnWhat?

Visual Effects Line Producer: DNEG

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Wonder Woman 1984 | ShotOnWhat?

Vfx Coordinator: DNEG

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Greyhound | ShotOnWhat?

Vfx Production Assistant: DNEG

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

Tenet | ShotOnWhat?

Visual Effects Coordinator: DNEG

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Vfx Runner: Double Negative

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Annihilation | ShotOnWhat?

Vfx Runner: Double Negative

Annihilation (2018)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Barney Pilling

Cameras: Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

Red Sparrow | ShotOnWhat?

Vfx Runner: Double Negative

Red Sparrow (2018)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Runner: DNEG

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Blade Runner 2049 | ShotOnWhat?

Vfx Runner: Double Negative

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Thor: Ragnarok | ShotOnWhat?

Visual Effects Runner: DNEG

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Geostorm | ShotOnWhat?

Vfx Runner: Double Negative

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

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