Post-production Coordinator
Promising Young Woman (2020)
Directed by: Emerald Fennell
Cinematography by: Benjamin Kracun
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA Mini Camera
Post-production Coordinator
The Old Man & the Gun (2018)
Directed by: David Lowery
Cinematography by: Joe Anderson
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX 416 Camera
Lenses: Canon Lenses, Cooke S4 Lenses
Post-production Coordinator
Atomic Blonde (2017)
Directed by: David Leitch
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Post-production Coordinator
Brad's Status (2017)
Directed by: Mike White
Cinematography by: Xavier Grobet
Edited by: Heather Persons
Cameras: ARRI ALEXA Series Cameras
Post-production Coordinator
Wind River (2017)
Directed by: Taylor Sheridan
Cinematography by: Ben Richardson
Edited by: Gary Roach
Post-production Coordinator
Pelé: Birth of a Legend (2016)
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Post-production Coordinator
Hands of Stone (2016)
Directed by: Jonathan Jakubowicz
Cinematography by: M.I. Littin-Menz
Edited by: Ethan Maniquis
Cameras: ARRI ALEXA Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Post-production Coordinator
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
