Colorist
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Colorist
Letters to Juliet (2010)
Directed by: Gary Winick
Cinematography by: Marco Pontecorvo
Edited by: Bill Pankow
Colorist
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Final Colorist
Gomorrah (2008)
Directed by: Matteo Garrone
Cinematography by: Marco Onorato
Edited by: Marco Spoletini
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Colorist
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Color Timer
Miracle at St. Anna (2008)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Final Colorist
Caravaggio (2007)
Directed by: Angelo Longoni
Cinematography by: Vittorio Storaro
Edited by: Mauro Bonanni
Colorist: Rome's Telecine
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Final Colorist
Once You're Born You Can No Longer Hide (2005)
Directed by: Marco Tullio Giordana
Cinematography by: Roberto Forza
Edited by: Roberto Missiroli
Final Colorist - Segment "Ciro"
All the Invisible Children (2005)
Directed by: Mehdi Charef, Emir Kusturica, Spike Lee, Kátia Lund, Jordan Scott, Ridley Scott, Stefano Veneruso, John Woo
Cinematography by: Philippe Brelot, Cliff Charles, Changwei Gu, Toca Seabra, Vittorio Storaro, Jim Whitaker, Nianping Zeng, Michel Amathieu
Final Colorist
Primo amore (2004)
Directed by: Matteo Garrone
Cinematography by: Marco Onorato
Edited by: Marco Spoletini
Final Colorist
Liberi (2003)
Directed by: Gianluca Maria Tavarelli
Cinematography by: Roberto Forza
Edited by: Marco Spoletini
Final Colorist
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
Final Colorist
The Good, the Bad and the Ugly (1966)
Directed by: Sergio Leone
Cinematography by: Tonino Delli Colli
Cameras: ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
