Anna Izquierdo

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Secuestro | ShotOnWhat?

Seamstress

Secuestro (2016)

Directed by: Mar Targarona

Cinematography by: Sergi Bartrolí

Edited by: Joan Manel Vilaseca

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

The Gunman | ShotOnWhat?

Set Costumer

The Gunman (2015)

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Exodus: Gods and Kings | ShotOnWhat?

Crowd Costumer

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Grand Piano | ShotOnWhat?

Set Costumer

Grand Piano (2013)

Directed by: Eugenio Mira

Cinematography by: Unax Mendia

Edited by: José Luis Romeu, Rodrigo Cortés

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Impossible | ShotOnWhat?

Key Wardrobe

The Impossible (2012)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Elena Ruiz, Bernat Vilaplana

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Zeiss Master Prime Lenses

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