DIT
'Giri/Haji' Episode #1.8 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Elen Pierce Lewis
DIT
'Giri/Haji' Episode #1.7 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Matthew Tabern
DIT
'Giri/Haji' Episode #1.6 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Matthew Tabern
DIT
'Giri/Haji' Episode #1.5 (2019)
Directed by: Ben Chessell
Cinematography by: Piers McGrail
Edited by: Matthew Tabern
Lab Coordinator: Dailies
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Data Manager
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Lab Operator: Dailies
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Lab Operator: Additional Photography
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Lab Operator: Additional Photography
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Dailies Operator: Company 3, Lab Operator
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Lab Operator
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Grip
Toto (2011)
Directed by: Andoni Elias Nava
Cinematography by: Alex Gallitano
Edited by: Andoni Elias Nava
Cameras: ARRIFLEX 35 III Camera
Lenses: Zeiss Super Speed Lenses
Editing System: Final Cut Pro Editing System
