Visual Effects Production Coordinator: AAU
Fruitvale Station (2013)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Art Department Coordinator
Being Flynn (2012)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Art Department Coordinator
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Art Department Coordinator
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Art Department Assistant
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Art Department Visual Consultant
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Art Production Assistant
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Art Department Intern
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
