Adr Engineer: Baton Rouge
Dallas Buyers Club (2013)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA Camera
Lenses: ARRI / Zeiss Lenses
Post-production Supervisor
Odd Thomas (2013)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: David Checel
Cameras: Red Epic Camera
Adr Mixer
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Adr Mixer
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Adr Mixer
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Post-production Supervisor, Re-recording Mixer
The Courier (2012)
Directed by: Hany Abu-Assad
Cinematography by: Antonio Calvache
Edited by: William Steinkamp
Re-recording Mixer
Assassination Games (2011)
Directed by: Ernie Barbarash
Cinematography by: Phil Parmet
Edited by: Peter Devaney Flanagan
Re-recording Mixer
Swamp Shark (2011)
Directed by: Griff Furst
Cinematography by: Lorenzo Senatore
Edited by: Matt Taylor
Post-production Supervisor
Nine Dead (2010)
Directed by: Chris Shadley
Cinematography by: Mark Vargo
Edited by: Sean Findley
Additional Sound Mixing And Deliveries: Post Matters
The Experiment (2010)
Directed by: Paul Scheuring
Cinematography by: Amy Vincent
Edited by: Peter S. Elliot
Post-production Supervisor, Re-recording Mixer
Beyond a Reasonable Doubt (2009)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Jeff Gullo
Post-production Supervisor
All American Orgy (2009)
Directed by: Andrew Drazek
Cinematography by: David McFarland
Edited by: Andrew Drazek
Post-production Supervisor, Supervising Sound Editor
The Way of War (2009)
Directed by: John R. Carter
Cinematography by: Kevin Sarnoff
Cameras: ARRI Cameras
Post-production Supervisor
Bad Lieutenant: Port of Call New Orleans (2009)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Moviecam Compact MK2 Camera
Sound Mixer
The Brothers Bloom (2008)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Gabriel Wrye
Post-production Supervisor
Ghouls (2008)
Directed by: Gary Jones
Cinematography by: Toni Cartu
Edited by: Christopher Roth
Post-production Supervisor, Re-recording Mixer
Cleaner (2007)
Directed by: Renny Harlin
Cinematography by: Scott Kevan
Edited by: Brian Berdan
Re-recording Mixer
Bordertown (2007)
Directed by: Gregory Nava
Cinematography by: Reynaldo Villalobos
Edited by: Padraic McKinley
Re-recording Mixer
Sam's Lake (2006)
Directed by: Andrew C. Erin
Cinematography by: David A. Armstrong
Edited by: Miklos Wright
Additional Re-recording Mixer
Hollow Man II (2006)
Directed by: Claudio Fäh
Cinematography by: Peter Wunstorf
Edited by: Nathan Easterling
Re-recording Mixer
Unrest (2006)
Directed by: Jason Todd Ipson
Cinematography by: Michael Fimognari
Edited by: Mike Saenz
Cameras: Panavision Cameras
Re-recording Mixer / Sound Supervisor
Who Killed the Electric Car? (2006)
Directed by: Chris Paine
Cinematography by: Thaddeus Wadleigh
Re-recording Mixer
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Re-recording Mixer / Sound Supervisor
Conversations with Other Women (2005)
Directed by: Hans Canosa
Cinematography by: Steve Yedlin
Edited by: Hans Canosa
Re-recording Mixer
Mozart and the Whale (2005)
Directed by: Petter Næss
Cinematography by: Svein Krøvel
Re-recording Mixer
The L.A. Riot Spectacular (2005)
Directed by: Marc Klasfeld
Cinematography by: Barry Norwood
Edited by: Richard Alarcon
Cameras: Sony DSR-500WS Camera
Re-recording Mixer
A Thousand Roads (2005)
Directed by: Chris Eyre
Cinematography by: Claudio Miranda
Edited by: Harry B. Miller III
Re-recording Mixer
Brick (2005)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Rian Johnson
Re-recording Mixer
Saw (2004)
Directed by: James Wan
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Re-recording Mixer
I Witness (2003)
Directed by: Rowdy Herrington
Cinematography by: Michael G. Wojciechowski
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Re-recording Mixer
Timecop: The Berlin Decision (2003)
Directed by: Steve Boyum
Cinematography by: Crescenzo G.P. Notarile
Re-recording Mixer
Narc (2002)
Directed by: Joe Carnahan
Cinematography by: Alex Nepomniaschy
Edited by: John Gilroy
Lenses: Zeiss Super Speed Lenses
Re-recording Mixer
Home Room (2002)
Directed by: Paul F. Ryan
Cinematography by: Rebecca Baehler
Edited by: Paul F. Ryan
Re-recording Mixer
Diary of a Sex Addict (2001)
Directed by: Joseph Brutsman
Cinematography by: Nathan Hope
Edited by: Greg Tillman
Re-recording Mixer
Ripper (2001)
Directed by: John Eyres
Cinematography by: Tom Harting
Edited by: Amanda I. Kirpaul
Re-recording Mixer
Replicant (2001)
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Additional Sound Editor, Music Editor
For the Cause (2000)
Cinematography by: Adolfo Bartoli
Edited by: Irit Raz
Music Editor
A Dog of Flanders (1999)
Directed by: Kevin Brodie
Cinematography by: Walther van den Ende
Edited by: Annamaria Szanto
Cameras: ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
Music Editor, Project Manager
Progeny (1998)
Directed by: Brian Yuzna
Cinematography by: James Hawkinson
Music Editor, Project Manager
The Dentist 2 (1998)
Directed by: Brian Yuzna
Cinematography by: Jürgen Baum
Edited by: Christopher Roth
