Assistant: Mr. Clark-Hall
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Assistant: Mr. Clark-Hall / Key Base Production Assistant
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Set Production Assistant: Reshoots
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Assistant To Co-producer / Key Set Production Assistant
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Assistant: Steve Clark-hall
Set Fire to the Stars (2014)
Directed by: Andy Goddard
Cinematography by: Chris Seager
Edited by: Mike Jones
Cameras: ARRI ALEXA Series Cameras
Editing System: Avid Editing System
Runner / Stand-in: Adam
Diana (2013)
Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Stand-in: Hastings, Trainee Assistant Director: Hastings
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
