Chip Hamilton

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Measure of a Man | ShotOnWhat?

Assistant To Mr. Sutherland

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Ghostbusters | ShotOnWhat?

Production Assistant

Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Manchester by the Sea | ShotOnWhat?

Set Production Assistant

Manchester by the Sea (2016)

Directed by: Kenneth Lonergan

Cinematography by: Jody Lee Lipes

Edited by: Jennifer Lame

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Lenses, Canon K35 Prime Lenses

The Equalizer | ShotOnWhat?

Production Assistant

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Infinitely Polar Bear | ShotOnWhat?

First Team Production Assistant

Infinitely Polar Bear (2014)

Directed by: Maya Forbes

Cinematography by: Bobby Bukowski

Edited by: Michael R. Miller

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Style Lenses

R.I.P.D. | ShotOnWhat?

Production Assistant

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Grown Ups 2 | ShotOnWhat?

Additional Production Assistant

Grown Ups 2 (2013)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Captain Phillips | ShotOnWhat?

Production Assistant

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

That's My Boy | ShotOnWhat?

Production Assistant

That's My Boy (2012)

Directed by: Sean Anders

Cinematography by: Brandon Trost

Edited by: Tom Costain

Crooked Arrows | ShotOnWhat?

Production Assistant

Crooked Arrows (2012)

Directed by: Steve Rash

Cinematography by: Dan Stoloff

Edited by: Bart Rachmil, Danny Saphire

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses

Here Comes the Boom | ShotOnWhat?

Production Assistant

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

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