Brad Allen

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Boyhood | ShotOnWhat?

Grip

Boyhood (2014)

Directed by: Richard Linklater

Cinematography by: Lee Daniel, Shane F. Kelly

Edited by: Sandra Adair

Cameras: Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

The Tree of Life | ShotOnWhat?

Grip

The Tree of Life (2011)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Friday the 13th | ShotOnWhat?

Grip: Additional Photography

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Fireflies in the Garden | ShotOnWhat?

Grip

Fireflies in the Garden (2008)

Directed by: Dennis Lee

Cinematography by: Daniel Moder

Edited by: Dede Allen, Robert Brakey

Stop-Loss | ShotOnWhat?

Grip

Stop-Loss (2008)

Directed by: Kimberly Peirce

Cinematography by: Chris Menges

Edited by: Claire Simpson

There Will Be Blood | ShotOnWhat?

Grip

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

All the Boys Love Mandy Lane | ShotOnWhat?

Electrician

All the Boys Love Mandy Lane (2006)

Directed by: Jonathan Levine

Cinematography by: Darren Genet

Edited by: Josh Noyes

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

Fall to Grace | ShotOnWhat?

Electrician

Fall to Grace (2005)

Directed by: Mari Marchbanks

Cinematography by: J.P. Lipa

Edited by: Christopher Roldan

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