Colourist: Dailies
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Colorist: Dailies
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Colorist: Dailies
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Colorist: Dailies
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Colorist: Dailies
Beyond the Black Rainbow (2010)
Directed by: Panos Cosmatos
Cinematography by: Norm Li
Edited by: Nicholas T. Shepard
Cameras: Panavision Panaflex Gold II Camera
Colorist: Dailies
Rampage (2009)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Thomas Sabinsky
Colorist: Dailies
New in Town (2009)
Directed by: Jonas Elmer
Cinematography by: Chris Seager
Edited by: Troy Takaki
Colorist: Dailies
Lost Boys: The Tribe (2008)
Directed by: P.J. Pesce
Cinematography by: Barry Donlevy
Edited by: Amanda I. Kirpaul
Colorist: Dailies
Far Cry (2008)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
