David Lewis

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Saltburn | ShotOnWhat?

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Saltburn (2023)

Directed by: Emerald Fennell

Cinematography by: Linus Sandgren

Edited by: Victoria Boydell

Cameras: ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

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Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

"The Crown" Episode #6.1 | ShotOnWhat?

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'The Crown' Episode #6.1 (2023)

Television Episode

Barbie | ShotOnWhat?

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Barbie (2023)

Directed by: Greta Gerwig

Cinematography by: Rodrigo Prieto

Edited by: Nick Houy

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Lenses, Panavision System 65 Lenses

The Sandman | ShotOnWhat?

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The Sandman (2022)

Television Series

Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat

Cinematography by: Will Baldy, Sam Heasman, George Steel

Edited by: Daniel Gabbe, Kelly Stuyvesant, Shoshanah Tanzer, Jamin Bricker, Eva Krispijn

Cameras: Red Monstro 8K Camera

"The Crown" Decommissioned | ShotOnWhat?

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'The Crown' Decommissioned (2022)

Television Episode

Directed by: Alex Gabassi

Cinematography by: Adriano Goldman

Edited by: Richard Graham

"The Crown" Couple 31 | ShotOnWhat?

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'The Crown' Couple 31 (2022)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Celia Haining

"The Crown" Gunpowder | ShotOnWhat?

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'The Crown' Gunpowder (2022)

Television Episode

Directed by: Erik Richter Strand

Cinematography by: Ben Wilson

Edited by: Amy Hounsell

"The Crown" No Woman's Land | ShotOnWhat?

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'The Crown' No Woman's Land (2022)

Television Episode

Directed by: Erik Richter Strand

Cinematography by: Ben Wilson

Edited by: Stuart Gazzard

"The Crown" Ipatiev House | ShotOnWhat?

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'The Crown' Ipatiev House (2022)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Simon Brasse

"The Crown" The Way Ahead | ShotOnWhat?

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'The Crown' The Way Ahead (2022)

Television Episode

Directed by: May el-Toukhy

Cinematography by: Rasmus Videbæk

Edited by: Simon Brasse

"The Crown" Annus Horribilis | ShotOnWhat?

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'The Crown' Annus Horribilis (2022)

Television Episode

Directed by: May el-Toukhy

Cinematography by: Rasmus Videbæk

Edited by: Mark Davis

"The Crown" Mou Mou | ShotOnWhat?

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'The Crown' Mou Mou (2022)

Television Episode

Directed by: Alex Gabassi

Cinematography by: Adriano Goldman

Edited by: Daniel Greenway

"The Crown" The System | ShotOnWhat?

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'The Crown' The System (2022)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Celia Haining

"The Crown" Queen Victoria Syndrome | ShotOnWhat?

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'The Crown' Queen Victoria Syndrome (2022)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

F9 | ShotOnWhat?

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F9 (2021)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto

Lenses: Tokina Vista Cinema Prime Lenses

"The Crown" Favourites | ShotOnWhat?

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'The Crown' Favourites (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Richard Graham

"The Crown" War | ShotOnWhat?

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'The Crown' War (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Celia Haining

"The Crown" Avalanche | ShotOnWhat?

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'The Crown' Avalanche (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Paulo Pandolpho

"The Crown" 48:1 | ShotOnWhat?

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'The Crown' 48:1 (2020)

Television Episode

Directed by: Julian Jarrold

Cinematography by: Stuart Howell

Edited by: Mark Davis

"The Crown" Fairytale | ShotOnWhat?

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'The Crown' Fairytale (2020)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" The Hereditary Principle | ShotOnWhat?

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'The Crown' The Hereditary Principle (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Morten Højbjerg

"The Crown" The Balmoral Test | ShotOnWhat?

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'The Crown' The Balmoral Test (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Simon Brasse

"The Crown" Gold Stick | ShotOnWhat?

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'The Crown' Gold Stick (2020)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Frances Parker

"The Crown" Fagan | ShotOnWhat?

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'The Crown' Fagan (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Ben Yeates

"The Crown" Terra Nullius | ShotOnWhat?

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'The Crown' Terra Nullius (2020)

Television Episode

Directed by: Julian Jarrold

Cinematography by: Stuart Howell

Edited by: Lucia Zucchetti

"The Crown" Margaretology | ShotOnWhat?

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'The Crown' Margaretology (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Tim Porter

Cats | ShotOnWhat?

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Cats (2019)

Directed by: Tom Hooper

Cinematography by: Christopher Ross

Edited by: Melanie Oliver

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses, Hasselblad Lenses

1917 | ShotOnWhat?

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1917 (2019)

Directed by: Sam Mendes

Cinematography by: Roger Deakins

Edited by: Lee Smith

Cameras: ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime 35mm T1.8 Lens, ARRI Signature Prime 40mm T1.8 Lens, ARRI Signature Prime 47mm T1.8 Lens

Editing System: Avid Editing System

Pokémon Detective Pikachu | ShotOnWhat?

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Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

"The Crown" Olding | ShotOnWhat?

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'The Crown' Olding (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" Aberfan | ShotOnWhat?

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'The Crown' Aberfan (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" Bubbikins | ShotOnWhat?

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'The Crown' Bubbikins (2019)

Television Episode

Directed by: Benjamin Caron

Edited by: Frances Parker

"The Crown" Cri de Coeur | ShotOnWhat?

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'The Crown' Cri de Coeur (2019)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Adriano Goldman

Edited by: Celia Haining

"The Crown" Coup | ShotOnWhat?

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'The Crown' Coup (2019)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Simon Brasse

"The Crown" Tywysog Cymru | ShotOnWhat?

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'The Crown' Tywysog Cymru (2019)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Adam Bosman

"The Crown" Moondust | ShotOnWhat?

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'The Crown' Moondust (2019)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Adriano Goldman

Edited by: Paulo Pandolpho

"The Crown" Imbroglio | ShotOnWhat?

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'The Crown' Imbroglio (2019)

Television Episode

Directed by: Samuel Donovan

Cinematography by: Fabian Wagner

Edited by: Daniel Greenway

"The Crown" Dangling Man | ShotOnWhat?

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'The Crown' Dangling Man (2019)

Television Episode

Directed by: Samuel Donovan

Cinematography by: Fabian Wagner

Edited by: Peggy Koretzky

Bohemian Rhapsody | ShotOnWhat?

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Bohemian Rhapsody (2018)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Editing System: Avid Editing System

Christopher Robin | ShotOnWhat?

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Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Ready Player One | ShotOnWhat?

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Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

"The Crown" Lisbon | ShotOnWhat?

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'The Crown' Lisbon (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Chris Barwell

"The Crown" Beryl | ShotOnWhat?

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'The Crown' Beryl (2017)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" Marionettes | ShotOnWhat?

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'The Crown' Marionettes (2017)

Television Episode

Directed by: Philippa Lowthorpe

Cinematography by: Stuart Howell

Edited by: Alex Mackie

"The Crown" Vergangenheit | ShotOnWhat?

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'The Crown' Vergangenheit (2017)

Television Episode

Directed by: Philippa Lowthorpe

Cinematography by: Stuart Howell

Edited by: Úna Ní Dhonghaíle

"The Crown" Matrimonium | ShotOnWhat?

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'The Crown' Matrimonium (2017)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Tim Porter

"The Crown" Dear Mrs. Kennedy | ShotOnWhat?

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'The Crown' Dear Mrs. Kennedy (2017)

Television Episode

Directed by: Stephen Daldry

Cinematography by: Adriano Goldman

Edited by: Pia Di Ciaula

"The Crown" Paterfamilias | ShotOnWhat?

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'The Crown' Paterfamilias (2017)

Television Episode

Directed by: Stephen Daldry

Cinematography by: Adriano Goldman

Edited by: Pia Di Ciaula

"The Crown" A Company of Men | ShotOnWhat?

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'The Crown' A Company of Men (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Celia Haining

"The Crown" Misadventure | ShotOnWhat?

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'The Crown' Misadventure (2017)

Television Episode

Directed by: Philip Martin

Cinematography by: Stuart Howell

Edited by: Ben Lester

"The Crown" Mystery Man | ShotOnWhat?

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'The Crown' Mystery Man (2017)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

Goodbye Christopher Robin | ShotOnWhat?

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Goodbye Christopher Robin (2017)

Directed by: Simon Curtis

Cinematography by: Ben Smithard

Edited by: Victoria Boydell

Dunkirk | ShotOnWhat?

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Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses

Knights of the Roundtable: King Arthur | ShotOnWhat?

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King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

The Crown | ShotOnWhat?

Transport Supplier - 10 Episodes, 2017

The Crown (2016)

Motion Picture, Television Series, Web Series

Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow

Cinematography by: Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner

Cameras: Sony Cameras, Sony Other Camera

Lenses: Cooke Lenses, Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Lenses, Zeiss Supreme Prime Series Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

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Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Doctor Strange | ShotOnWhat?

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Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Legend of Tarzan | ShotOnWhat?

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The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Criminal | ShotOnWhat?

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Criminal (2016)

Directed by: Ariel Vromen

Cinematography by: Dana Gonzales

Edited by: Danny Rafic

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Huntsman: Winter's War | ShotOnWhat?

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The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Jungle Book | ShotOnWhat?

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The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

London Has Fallen | ShotOnWhat?

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London Has Fallen (2016)

Directed by: Babak Najafi

Cinematography by: Ed Wild

Edited by: Michael J. Duthie, Paul Martin Smith

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Cinderella | ShotOnWhat?

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Cinderella (2015)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Man from U.N.C.L.E. | ShotOnWhat?

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The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Pan | ShotOnWhat?

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Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Avengers: Age of Ultron | ShotOnWhat?

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Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

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Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Star Wars: The Force Awakens | ShotOnWhat?

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Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Jack Ryan: Shadow Recruit | ShotOnWhat?

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Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Maleficent | ShotOnWhat?

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Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

X-Men: Days of Future Past | ShotOnWhat?

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X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Night at the Museum: Secret of the Tomb | ShotOnWhat?

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Night at the Museum: Secret of the Tomb (2014)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

The Monuments Men | ShotOnWhat?

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The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

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Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Rush | ShotOnWhat?

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Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

The Counselor | ShotOnWhat?

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The Counselor (2013)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

RED 2 | ShotOnWhat?

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RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Thor: The Dark World | ShotOnWhat?

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Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

World War Z | ShotOnWhat?

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World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

The Woman in Black | ShotOnWhat?

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The Woman in Black (2012)

Directed by: James Watkins

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

Snow White and the Huntsman | ShotOnWhat?

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Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Driver

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

X: First Class | ShotOnWhat?

Driver

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Captain America: The First Avenger | ShotOnWhat?

Driver

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

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Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Nanny McPhee Returns | ShotOnWhat?

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Nanny McPhee Returns (2010)

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Prince of Persia: The Sands of Time | ShotOnWhat?

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Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

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Get Him to the Greek | ShotOnWhat?

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Get Him to the Greek (2010)

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

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