Brett Eidelman

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Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Assistant Accountant

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Jungle Book | ShotOnWhat?

First Assistant Accountant

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Lone Ranger | ShotOnWhat?

Second Assistant Accountant

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

X: First Class | ShotOnWhat?

Second Assistant Accountant

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Bridesmaids | ShotOnWhat?

Second Assistant Accountant

Bridesmaids (2011)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gulliver's Travels | ShotOnWhat?

Second Assistant Accountant: Additional Photography

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

State of Play | ShotOnWhat?

Second Assistant Accountant: Additional Photography

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Marley & Me | ShotOnWhat?

Second Assistant Accountant

Marley & Me (2008)

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Ultra Prime Lenses

Meet Dave | ShotOnWhat?

Assistant Payroll Accountant

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

The Day the Earth Stood Still | ShotOnWhat?

Second Assistant Accountant: Additional Photography

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

The Kingdom | ShotOnWhat?

Additional Second Assistant Accountant

The Kingdom (2007)

Directed by: Peter Berg

Cinematography by: Mauro Fiore

Edited by: Colby Parker Jr., Kevin Stitt

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