Leighana Ginther

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Roman J. Israel, Esq. | ShotOnWhat?

Senior Compositor

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Southpaw | ShotOnWhat?

Compositor

Southpaw (2015)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Ridiculous 6 | ShotOnWhat?

Compositor

The Ridiculous 6 (2015)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Tom Costain

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Sex Tape | ShotOnWhat?

Compositor

Sex Tape (2014)

Directed by: Jake Kasdan

Cinematography by: Tim Suhrstedt

Edited by: Steve Edwards, Tara Timpone

Cameras: ARRI ALEXA XT Camera

The Equalizer | ShotOnWhat?

Lead Roto/paint Artist

The Equalizer (2014)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: John Refoua

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Way Way Back | ShotOnWhat?

Digital Artist: Zero VFX

The Way Way Back (2013)

Directed by: Nat Faxon, Jim Rash

Cinematography by: John Bailey

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Primes Spherical Lenses

American Hustle | ShotOnWhat?

Digital Artist: Zero

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

Here Comes the Boom | ShotOnWhat?

Rotoscoping Artist

Here Comes the Boom (2012)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Scott Hill

Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blue Valentine | ShotOnWhat?

Intern

Blue Valentine (2010)

Directed by: Derek Cianfrance

Cinematography by: Andrij Parekh

Edited by: Jim Helton, Ron Patane

Cameras: ARRIFLEX 416 Camera, Red One Camera

Lenses: Angenieux Lenses, Zeiss Lenses

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