Alison McCosh

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X-Men: Days of Future Past | ShotOnWhat?

Assistant Costume Designer

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Assistant Costume Designer

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Hangover Part III | ShotOnWhat?

Assistant Costume Designer

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Project X | ShotOnWhat?

Costume Designer

Project X (2012)

Directed by: Nima Nourizadeh

Cinematography by: Ken Seng

Edited by: Jeff Groth

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses: Canon Lenses

The Hangover Part II | ShotOnWhat?

Assistant Costume Designer

The Hangover Part II (2011)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Due Date | ShotOnWhat?

Assistant Costume Designer

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

X-Men Origins: Wolverine | ShotOnWhat?

Assistant Costume Designer

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

The Hangover | ShotOnWhat?

Assistant Costume Designer

The Hangover (2009)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Hancock | ShotOnWhat?

Assistant Costume Designer

Hancock (2008)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Paul Rubell

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Heartbreak Kid | ShotOnWhat?

Assistant Costume Designer

The Heartbreak Kid (2007)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Alan Baumgarten, Sam Seig

Into the Blue | ShotOnWhat?

Key Costumer

Into the Blue (2005)

Directed by: John Stockwell

Cinematography by: Shane Hurlbut

Edited by: Nicolas De Toth, Dennis Virkler

Starsky & Hutch | ShotOnWhat?

Costumer

Starsky & Hutch (2004)

Directed by: Todd Phillips

Cinematography by: Barry Peterson

Edited by: Leslie Jones

The Rundown | ShotOnWhat?

Costumer

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Dumb and Dumberer: When Harry Met Lloyd | ShotOnWhat?

Costumer

Dumb and Dumberer: When Harry Met Lloyd (2003)

Directed by: Troy Miller

Cinematography by: Anthony B. Richmond

Edited by: Lawrence Jordan

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