Erika Canchola

  31 Titles
Is this you? Add a Profile

Production Legal Services: Ramo Law

'Altered Carbon' Clash by Night  (2018)

Directed by: Uta Briesewitz
Cinematography by: Neville Kidd
Edited by: Julian Clarke

Production Legal

'Altered Carbon' Nora Inu  (2018)

Directed by: Andy Goddard
Cinematography by: Neville Kidd
Edited by: Amy M. Fleming

Production Attorney: Ramo Law PC

Sabotage  (2014)

Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn

Production Attorney

Maniac  (2012)

Directed by: Franck Khalfoun
Cinematography by: Maxime Alexandre

Production Attorney

Christmas Twister  (2012)

Directed by: Peter Sullivan
Cinematography by: Roberto Schein

Production Legal Services: Law Offices Of Elsa Ramos

Celeste & Jesse Forever  (2012)

Directed by: Lee Toland Krieger
Cinematography by: David Lanzenberg
Edited by: Yana Gorskaya

Production Attorney

The Aggression Scale  (2012)

Directed by: Steven C. Miller
Cinematography by: Jeff Dolen
Edited by: Steven C. Miller

Production Attorney

L!fe Happens  (2011)

Directed by: Kat Coiro
Cinematography by: Doug Chamberlain

Production Attorney: Law Offices Of Elsa Ramo

Like Crazy  (2011)

Directed by: Drake Doremus
Cinematography by: John Guleserian
Edited by: Jonathan Alberts

Production Legal: Raufi Law And Law Offices Of Elsa Ramo

Texas Killing Fields  (2011)

Directed by: Ami Canaan Mann
Cinematography by: Stuart Dryburgh
Edited by: Cindy Mollo

Legal Services

Hysteria  (2011)

Directed by: Tanya Wexler
Cinematography by: Sean Bobbitt
Edited by: Jon Gregory

Production Attorney

The Caller  (2011)

Directed by: Matthew Parkhill
Cinematography by: Alexander Melman
Edited by: Gabriel Coss

Production Attorney

Caged Animal  (2010)

Directed by: Ryan Combs
Cinematography by: Mario Signore
Edited by: Tim Ryder

Production Attorney

Godspeed  (2009)

Directed by: Robert Saitzyk
Cinematography by: Michael Hardwick
Edited by: Robert Saitzyk

Production Legal Intern

Creepshow 3  (2006)

Cinematography by: James M. LeGoy
Edited by: Ana Clavell