Music Licensing
Southside with You (2016)
Directed by: Richard Tanne
Cinematography by: Patrick Scola
Edited by: Evan Schiff
Music Coordinator
The Accidental Husband (2008)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Suzy Elmiger
Music Coordinator
Are We Done Yet? (2007)
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Music Clearance
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Music Clearance / Music Coordinator
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Music Clearances
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Music Coordinator
The Fighting Temptations (2003)
Directed by: Jonathan Lynn
Cinematography by: Affonso Beato
Edited by: Paul Hirsch
Music Clearance
School of Rock (2003)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Music Clearance
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Music Coordinator
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Music Coordinator
How High (2001)
Directed by: Jesse Dylan
Cinematography by: Francis Kenny
Edited by: Larry Bock
Music Clearances
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Music Coordinator
She's All That (1999)
Directed by: Robert Iscove
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Music Coordinator
Velvet Goldmine (1998)
Directed by: Todd Haynes
Cinematography by: Maryse Alberti
Edited by: James Lyons
Cameras: Aaton Cameras, Panavision Panaflex Gold Camera