Brett McKenzie

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Get Hard | ShotOnWhat?

Reshoots

Get Hard (2015)

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

About Last Night | ShotOnWhat?

Art Department Coordinator

About Last Night (2014)

Directed by: Steve Pink

Cinematography by: Michael Barrett

Edited by: Tracey Wadmore-Smith, Shelly Westerman

Cameras: Sony CineAlta F65 Camera

Lenses: Leitz Summilux-C Series Lenses

Argo | ShotOnWhat?

Art Department Coordinator

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Stand Up Guys | ShotOnWhat?

Art Department Coordinator

Stand Up Guys (2012)

Directed by: Fisher Stevens

Cinematography by: Michael Grady

Edited by: Mark Livolsi

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Red State | ShotOnWhat?

Art Department Coordinator

Red State (2011)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Cameras: Canon EOS-7D Camera, Red One MX Camera

Takers | ShotOnWhat?

Art Department Coordinator

Takers (2010)

Directed by: John Luessenhop

Cinematography by: Michael Barrett

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

The Town | ShotOnWhat?

Art Department Coordinator: Reshoots

The Town (2010)

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Obsessed | ShotOnWhat?

Art Department Coordinator

Obsessed (2009)

Directed by: Steve Shill

Cinematography by: Ken Seng

Edited by: Paul Seydor

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Armored | ShotOnWhat?

Art Department Coordinator

Armored (2009)

Directed by: Nimród Antal

Cinematography by: Andrzej Sekula

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Quarantine | ShotOnWhat?

Art Department Coordinator

Quarantine (2008)

Directed by: John Erick Dowdle

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

Prom Night | ShotOnWhat?

Art Department Assistant

Prom Night (2008)

Directed by: Nelson McCormick

Cinematography by: Checco Varese

Edited by: Jason Ballantine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

I Now Pronounce You Chuck & Larry | ShotOnWhat?

Asset Coordinator

I Now Pronounce You Chuck & Larry (2007)

Directed by: Dennis Dugan

Cinematography by: Dean Semler

Edited by: Jeff Gourson

Cameras: Panavision Genesis Camera

Evan Almighty | ShotOnWhat?

Set Dressing Office Assistant

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

In Her Shoes | ShotOnWhat?

Art Department Coordinator: Philadelphia

In Her Shoes (2005)

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

The Woodsman | ShotOnWhat?

Office Production Assistant

The Woodsman (2004)

Directed by: Nicole Kassell

Cinematography by: Xavier Grobet

Edited by: Lisa Fruchtman, Brian A. Kates

Signs | ShotOnWhat?

Office Production Assistant

Signs (2002)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

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