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Zack Snyder's Justice League | ShotOnWhat?

Art Director - Additional Photography

Zack Snyder's Justice League (2021)

Directed by: Zack Snyder

Cinematography by: Fabian Wagner

Edited by: David Brenner, Carlos M. Castillón, Dody Dorn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Leitz Summilux-C Series Lenses

Suicide Squad | ShotOnWhat?

Set Decorator - Additional Photography

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Revenant | ShotOnWhat?

U.s. Unit

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Set Decorator

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Nebraska | ShotOnWhat?

Set Decorator

Nebraska (2013)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

Editing System: Avid Editing System

Mud | ShotOnWhat?

Set Decorator

Mud (2012)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

The Runaways | ShotOnWhat?

Set Decorator

The Runaways (2010)

Directed by: Floria Sigismondi

Cinematography by: Benoît Debie

Edited by: Richard Chew

Cameras: ARRIFLEX 416 Camera

Lenses: Zeiss Master Prime Lenses

Nacho Libre | ShotOnWhat?

Set Decorator

Nacho Libre (2006)

Directed by: Jared Hess

Cinematography by: Xavier Grobet

Edited by: Billy Weber

The Skeleton Key | ShotOnWhat?

Set Decorator

The Skeleton Key (2005)

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Team America: World Police | ShotOnWhat?

Set Decorator

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

Go | ShotOnWhat?

Set Decorator

Go (1999)

Directed by: Doug Liman

Cinematography by: Doug Liman

Edited by: Stephen Mirrione

Primary Colors | ShotOnWhat?

Buyer

Primary Colors (1998)

Directed by: Mike Nichols

Cinematography by: Michael Ballhaus

Edited by: Arthur Schmidt

Cameras: ARRIFLEX Camera

Lolita | ShotOnWhat?

Buyer

Lolita (1997)

Directed by: Adrian Lyne

Cinematography by: Howard Atherton

Edited by: David Brenner, Julie Monroe

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Embrace of the Vampire | ShotOnWhat?

Art Director, Set Decorator

Embrace of the Vampire (1995)

Directed by: Anne Goursaud

Cinematography by: Suki Medencevic

Edited by: Terilyn A. Shropshire

The Client | ShotOnWhat?

Assistant Set Decorator

The Client (1994)

Directed by: Joel Schumacher

Cinematography by: Tony Pierce-Roberts

Edited by: Robert Brown

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