Special Effects Coordinator
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Special Effects Coordinator
Vox Lux (2018)
Directed by: Brady Corbet
Cinematography by: Lol Crawley
Edited by: Matthew Hannam
Cameras: ARRICAM Lite (LT) Camera
Special Effects Coordinator: New York
Sharknado 2: The Second One (2014)
Directed by: Anthony C. Ferrante
Cinematography by: Ben Demaree
Cameras: Blackmagic Cinema Camera, Red Epic Camera
Editing System: Adobe Premiere Editing System
Special Effects
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Special Effects Foreman
Silver Linings Playbook (2012)
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Special Effects Coordinator: Additional Photography
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Assistant
We Need to Talk About Kevin (2011)
Directed by: Lynne Ramsay
Cinematography by: Seamus McGarvey
Edited by: Joe Bini
Special Effects Technician
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Special Effects Foreman
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Special Effects Foreman
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Special Effects
After.Life (2009)
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
