Alejandro Quevedo

18 Titles

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Bardo: False Chronicle of a Handful of Truths | ShotOnWhat?

Sound Effects Editor

Bardo: False Chronicle of a Handful of Truths (2022)

Directed by: Alejandro G. Iñárritu

Cinematography by: Darius Khondji

Edited by: Alejandro G. Iñárritu, Monica Salazar

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

The Revenant | ShotOnWhat?

Sound Consultant

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

Sound Effects Editor

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

On the Road | ShotOnWhat?

Sound Effects Editor

On the Road (2012)

Directed by: Walter Salles

Cinematography by: Eric Gautier

Edited by: François Gédigier

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens

End of Watch | ShotOnWhat?

Sound Effects Editor

End of Watch (2012)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Dody Dorn

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Texas Killing Fields | ShotOnWhat?

Sound Effects Editor

Texas Killing Fields (2011)

Directed by: Ami Canaan Mann

Cinematography by: Stuart Dryburgh

Edited by: Cindy Mollo

Cameras: Panavision Genesis Camera

Biutiful | ShotOnWhat?

Sound Designer

Biutiful (2010)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Hellboy II: The Golden Army | ShotOnWhat?

Sound Designer , Sound Effects Supervisor

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Malos hábitos | ShotOnWhat?

First Sound Editor

Malos hábitos (2007)

Directed by: Simón Bross

Cinematography by: Eduardo Martínez Solares

Edited by: Adolfo Ibarrola, Raúl Martínez

Into the Wild | ShotOnWhat?

Sound Design Editor

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

Pan's Labyrinth | ShotOnWhat?

First Sound Effects Editor

Pan's Labyrinth (2006)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Babel | ShotOnWhat?

First Sound Effects Editor

Babel (2006)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Batalla en el cielo | ShotOnWhat?

Sound Editor

Batalla en el cielo (2005)

Directed by: Carlos Reygadas

Cinematography by: Diego Martínez Vignatti

Edited by: Adoración G. Elipe, Benjamin Mirguet, Carlos Reygadas, Nicolas Schmerkin

Sangre | ShotOnWhat?

First Sound Editor

Sangre (2005)

Directed by: Amat Escalante

Cinematography by: Alex Fenton

Edited by: Amat Escalante

Innocent Voices | ShotOnWhat?

Sound Editor

Innocent Voices (2004)

Directed by: Luis Mandoki

Cinematography by: Juan Ruiz Anchía

Edited by: Aleshka Ferrero

21 Grams | ShotOnWhat?

Sound Effects Recordist

21 Grams (2003)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

City of God | ShotOnWhat?

Sound

City of God (2002)

Directed by: Fernando Meirelles, Kátia Lund

Cinematography by: César Charlone

Edited by: Daniel Rezende

Cameras: Aaton 35-III Camera, Aaton A-Minima Camera, Aaton XTR Prod Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Amores Perros | ShotOnWhat?

Sound Editor

Amores Perros (2000)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Cameras: Moviecam Superlight Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

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