Leo Vasconcellos

6 Titles

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Eike, Tudo ou Nada | ShotOnWhat?

Camera Operator

Eike, Tudo ou Nada (2022)

Directed by: Dida Andrade, Andradina Azevedo

Cinematography by: Andradina Azevedo

Edited by: Maria Rezende

Cameras: Red Komodo Camera

Lenses: Zeiss Lenses

Pelé: Birth of a Legend | ShotOnWhat?

First Assistant Camera

Pelé: Birth of a Legend (2016)

Directed by: Jeff Zimbalist, Michael Zimbalist

Cinematography by: Matthew Libatique

Edited by: Luis Carballar, Naomi Geraghty, Glen Scantlebury

Cameras: Red Epic Dragon Camera

Fast Five | ShotOnWhat?

Assistant Camera

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Nosso Lar | ShotOnWhat?

Assistant Camera

Nosso Lar (2010)

Directed by: Wagner de Assis

Cinematography by: Ueli Steiger

Edited by: Marcelo Moraes

Cameras: Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

OSS 117: Lost in Rio | ShotOnWhat?

Assistant Camera

OSS 117: Lost in Rio (2009)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Reynald Bertrand

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

The Incredible Hulk | ShotOnWhat?

Assistant Camera

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

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