Yannick Freess

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John Wick: Chapter 4 | ShotOnWhat?

Key Rigging Grip: Paris

John Wick: Chapter 4 (2023)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Nathan Orloff

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses

Big Bug | ShotOnWhat?

Rigging Grip

Big Bug (2022)

Directed by: Jean-Pierre Jeunet

Cinematography by: Thomas Hardmeier

Edited by: Hervé Schneid

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: ARRI Signature Prime Lenses

The Last Duel | ShotOnWhat?

Rigging Grip: French Unit

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Rigging Grip

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Lucy | ShotOnWhat?

Grip

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Les yeux jaunes des crocodiles | ShotOnWhat?

Grip

Les yeux jaunes des crocodiles (2014)

Directed by: Cécile Telerman

Cinematography by: Colin Houben, Pascal Ridao

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

The Family | ShotOnWhat?

Grip

The Family (2013)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Les gamins | ShotOnWhat?

Grip

Les gamins (2013)

Directed by: Anthony Marciano

Cinematography by: Jean-Paul Agostini

Edited by: Virginie Bruant, Samuel Danési

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Je fais le mort | ShotOnWhat?

Grip

Je fais le mort (2013)

Directed by: Jean-Paul Salomé

Cinematography by: Pascal Ridao

Edited by: Sylvie Lager

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Renoir | ShotOnWhat?

Grip

Renoir (2012)

Directed by: Gilles Bourdos

Cinematography by: Ping Bin Lee

Edited by: Yannick Kergoat

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

On ne choisit pas sa famille | ShotOnWhat?

Grip

On ne choisit pas sa famille (2011)

Directed by: Christian Clavier

Cinematography by: Pascal Ridao

Edited by: Christophe Pinel

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Elle s'appelait Sarah | ShotOnWhat?

Grip

Elle s'appelait Sarah (2010)

Directed by: Gilles Paquet-Brenner

Cinematography by: Pascal Ridao

Edited by: Hervé Schneid

Cameras: Red One Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

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