Visual Effects Coordinator: BUF
'Sleepy Hollow' One Life (2016)
Directed by: Kate Dennis
Cinematography by: Bing Sokolsky
Edited by: Scott Gamzon
Visual Effects Coordinator
Les trois frères, le retour (2014)
Cinematography by: Pascal Caubère
Edited by: Jeanne Kef
Visual Effects Coordinator: BUF - 1 Episode, 2016
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Visual Effects Coordinator
The French Minister (2013)
Directed by: Bertrand Tavernier
Cinematography by: Jérôme Alméras
Edited by: Guy Lecorne
Cameras: ARRI ALEXA Plus Camera
Visual Effects Coordinator
En solitaire (2013)
Directed by: Christophe Offenstein
Cinematography by: Guillaume Schiffman
Cameras: Red Epic Camera, Red Scarlet Camera
Post-production Coordinator: Digimage
The Stroller Strategy (2012)
Directed by: Clément Michel
Cinematography by: Steeven Petitteville
Edited by: Julie Dupré
Cameras: ARRI ALEXA Plus Camera
Lenses: Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Post-production Coordinator: Digimage
Comme un lion (2012)
Directed by: Samuel Collardey
Edited by: Sylvie Lager
Cameras: ARRI ALEXA Camera
Visual Effects Coordinator
Cornouaille (2012)
Directed by: Anne Le Ny
Cinematography by: Jean-Marc Fabre
Edited by: Guerric Catala
Visual Effects Coordinator
10 jours en or (2012)
Directed by: Nicolas Brossette
Cinematography by: Benoît Chamaillard
Edited by: Jean-François Elie
Cameras: ARRI ALEXA Camera
Post-production Coordinator: Digimage
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Post-production Coordinator
Bowling (2012)
Directed by: Marie-Castille Mention-Schaar
Cinematography by: Myriam Vinocour
Edited by: Hugues Darmois
Cameras: ARRI ALEXA Camera
Visual Effects Coordinator
Micmacs à tire-larigot (2009)
Directed by: Jean-Pierre Jeunet
Cinematography by: Tetsuo Nagata
Edited by: Hervé Schneid
Visual Effects Production Assistant
District 13: Ultimatum (2009)
Directed by: Patrick Alessandrin
Cinematography by: Jean-François Hensgens
Visual Effects Production Assistant
Ultimate Heist (2009)
Directed by: Laurent Tuel
Cinematography by: Laurent Machuel
Edited by: Marion Monestier
Visual Effects Coordinator
Cyprien (2009)
Directed by: David Charhon
Cinematography by: Antoine Roch
Edited by: Sophie Reine
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Production Assistant
Le code a changé (2009)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: Moviecam Compact MK2 Camera
Visual Effects Production Assistant
Mesrine Part 1: Killer Instinct (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Visual Effects Production Assistant
Pour elle (2008)
Directed by: Fred Cavayé
Cinematography by: Alain Duplantier
Edited by: Benjamin Weill
Visual Effects Production Assistant
Secret défense (2008)
Directed by: Philippe Haïm
Cinematography by: Jérôme Alméras
Edited by: Sylvie Landra
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Production Assistant
Astérix aux jeux olympiques (2008)
Cinematography by: Thierry Arbogast
Visual Effects Production Assistant
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
