Digital Imaging Technician
The Intruder (2019)
Directed by: Deon Taylor
Cinematography by: Daniel Pearl
Edited by: Melissa Kent
Cameras: ARRI ALEXA Mini Camera
Dailies Supervisor / Digital Imaging Technician
The Boy (2016)
Directed by: William Brent Bell
Cinematography by: Daniel Pearl
Edited by: Brian Berdan
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk Vantage One Lenses
Dailies Supervisor / Digital Imaging Technician, Digital Imaging Technician
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Dailies Supervisor, Digital Imaging Technician
The Legend of Hercules (2014)
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Dailies Supervisor
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Dailies Supervisor
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Dailies Supervisor
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Dailies Supervisor
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Dailies Supervisor, Visual Effects Artist: Sub/Par Pix
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Digital Artist , Vfx Artist: Sub/Par Pix / Visual Effects Coordinator
Underworld: Rise of the Lycans (2009)
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Digital Artist / Visual Effects Coordinator
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Digital Artist / Visual Effects Coordinator
Crank: High Voltage (2009)
Cinematography by: Brandon Trost
Visual Effects Coordinator
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Set Production Assistant
Henry Poole Is Here (2008)
Directed by: Mark Pellington
Cinematography by: Eric Schmidt
Edited by: Lisa Zeno Churgin
Production Assistant
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Production Assistant
Inland Empire (2006)
Directed by: David Lynch
Cinematography by: David Lynch
Edited by: David Lynch
Cameras: Sony DSR-PD150 Camera
