David Halver

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xXx: State of the Union | ShotOnWhat?

Stage Manager - Playa Vista Stages

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Wild Wild West | ShotOnWhat?

Set Dressing: Second Unit

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Dunston Checks In | ShotOnWhat?

On-set Art Department Assistant: Malibu & Bullock's Wilshire Locations

Dunston Checks In (1996)

Directed by: Ken Kwapis

Cinematography by: Peter Lyons Collister

Edited by: Jon Poll

Cameras: Panavision Cameras

Alien Intruder | ShotOnWhat?

Art Department Coordinator / Set Designer

Alien Intruder (1993)

Direct to Video

Directed by: Ricardo Jacques Gale

Cinematography by: Michael Pinkey

Edited by: Ron Cabreros, Lorne Morris, Paul G. Volk, Peter Volk

Ring of Fire II: Blood and Steel | ShotOnWhat?

Art Director, Production Designer

Ring of Fire II: Blood and Steel (1993)

Directed by: Richard W. Munchkin

Cinematography by: Richard Pepin

Edited by: Paul G. Volk, John Weidner

Maniac Cop 3: Badge of Silence | ShotOnWhat?

Making-of Documentary

Maniac Cop 3: Badge of Silence (1993)

Directed by: William Lustig

Cinematography by: Jacques Haitkin

Edited by: Michael Eliot, David Kern, Rick Tuber

CIA Code Name: Alexa | ShotOnWhat?

Property Master

CIA Code Name: Alexa (1992)

Directed by: Joseph Merhi

Cinematography by: Richard Pepin

Edited by: Geraint Bell, Ron Cabreros, John Weidner

Cameras: ARRIFLEX Camera

...And Then She Was Gone | ShotOnWhat?

Set Dressing

...And Then She Was Gone (1991)

Television Movie

Directed by: David Greene

Cinematography by: Stevan Larner

Edited by: Michael D. Ornstein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Abyss | ShotOnWhat?

Miniature Effects Artist

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Back to the Future Part II | ShotOnWhat?

Painter: Second Unit

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Earth Girls Are Easy | ShotOnWhat?

Special Set Construction

Earth Girls Are Easy (1988)

Directed by: Julien Temple

Cinematography by: Oliver Stapleton

Edited by: Richard Halsey

The Longshot | ShotOnWhat?

Art Department Assistant

The Longshot (1986)

Directed by: Paul Bartel

Cinematography by: Robby Müller

Edited by: Alan Toomayan

Cameras: ARRI Cameras

Something Wicked This Way Comes | ShotOnWhat?

Rotoscope Artist

Something Wicked This Way Comes (1983)

Directed by: Jack Clayton

Cinematography by: Stephen H. Burum

Edited by: Barry Mark Gordon, Argyle Nelson Jr.

Cameras: Panavision Cameras

TRON | ShotOnWhat?

Ink And Paint Artist

TRON (1982)

Directed by: Steven Lisberger

Cinematography by: Bruce Logan

Edited by: Jeff Gourson

Cameras: Panavision Cameras, Panavision System 65 Camera, Super Panavision-70 Camera

Lenses: Panavision Lenses

Battle Beyond the Stars | ShotOnWhat?

Assistant Art Director

Battle Beyond the Stars (1980)

Directed by: Jimmy T. Murakami, Roger Corman

Cinematography by: Daniel Lacambre

Edited by: Allan Holzman, R.J. Kizer

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