Visual Effects Artist: Filmgate
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects
Bølgen (2015)
Directed by: Roar Uthaug
Cinematography by: John Christian Rosenlund
Edited by: Christian Siebenherz
Cameras: Red Epic Dragon Camera
Visual Effects Artist
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Visual Effects Supervisor: Filmgate
Diana (2013)
Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Compositor: Filmgate
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Digital Compositor
Snabba cash II (2012)
Directed by: Babak Najafi
Cinematography by: Aril Wretblad
Edited by: Theis Schmidt
Cameras: ARRI ALEXA Camera
Digital Compositor
Iron Sky (2012)
Directed by: Timo Vuorensola
Cinematography by: Mika Orasmaa
Edited by: Suresh Ayyar
Compositor: Filmgate
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Digital Compositor
Kronjuvelerna (2011)
Directed by: Ella Lemhagen
Cinematography by: Anders Bohman
Edited by: Thomas Lagerman
Compositor: Filmgate
Melancholia (2011)
Directed by: Lars von Trier
Cinematography by: Manuel Alberto Claro
Edited by: Molly Malene Stensgaard
Cameras: ARRI ALEXA Camera, Phantom HD Gold Camera
Digital Artist: FILMGATE
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Compositor: Filmgate
Sound of Noise (2010)
Cinematography by: Charlotta Tengroth
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
