Score Engineer
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Score Mixer / Score Recorder
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Score Mixer
The Best Offer (2013)
Directed by: Giuseppe Tornatore
Cinematography by: Fabio Zamarion
Edited by: Massimo Quaglia
Cameras: ARRI ALEXA Studio Camera, Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Score Mixer
Sams im Glück (2012)
Directed by: Peter Gersina
Cinematography by: Gerhard Schirlo
Edited by: Kai Schröter
Score Mixer
La conquête (2011)
Directed by: Xavier Durringer
Cinematography by: Gilles Porte
Edited by: Catherine Schwartz
Cameras: Moviecam Compact Camera
Score Mixer
Baciami ancora (2010)
Directed by: Gabriele Muccino
Cinematography by: Arnaldo Catinari
Edited by: Claudio Di Mauro
Score Mixer
Le code a changé (2009)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: Moviecam Compact MK2 Camera
Score Mixer
Baarìa (2009)
Directed by: Giuseppe Tornatore
Cinematography by: Enrico Lucidi
Edited by: Massimo Quaglia
Score Mixer
I demoni di San Pietroburgo (2008)
Directed by: Giuliano Montaldo
Cinematography by: Arnaldo Catinari
Edited by: Consuelo Catucci
Score Mixer
I Viceré (2007)
Directed by: Roberto Faenza
Cinematography by: Maurizio Calvesi
Edited by: Massimo Fiocchi
Cameras: Moviecam Compact Camera
Score Mixer
Odette Toulemonde (2006)
Directed by: Eric-Emmanuel Schmitt
Cinematography by: Carlo Varini
Edited by: Philippe Bourgueil
Score Mixer
Il caimano (2006)
Directed by: Nanni Moretti
Cinematography by: Arnaldo Catinari
Edited by: Esmeralda Calabria
Score Engineer
Der Räuber Hotzenplotz (2006)
Directed by: Gernot Roll
Cinematography by: Gernot Roll
Edited by: Horst Reiter
Score Mixer
Karol - The Pope, the Man (2006)
Directed by: Giacomo Battiato
Cinematography by: Giovanni Mammolotti
Music Engineer / Music Mixer
Fateless (2005)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Hajnal Sellõ
Score Mixer
Don't Tell (2005)
Directed by: Cristina Comencini
Cinematography by: Fabio Cianchetti
Edited by: Cecilia Zanuso
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Mixer
All the Invisible Children (2005)
Directed by: Mehdi Charef, Emir Kusturica, Spike Lee, Kátia Lund, Jordan Scott, Ridley Scott, Stefano Veneruso, John Woo
Cinematography by: Philippe Brelot, Cliff Charles, Changwei Gu, Toca Seabra, Vittorio Storaro, Jim Whitaker, Nianping Zeng, Michel Amathieu
Score Mixer
Karol, un uomo diventato Papa (2005)
Directed by: Giacomo Battiato
Cinematography by: Giovanni Mammolotti
Music Recording Engineer / Score Mixing Engineer
Capturing the Friedmans (2003)
Directed by: Andrew Jarecki
Cinematography by: Adolfo Doring
Edited by: Richard Hankin
Editing System: Avid Editing System
Sound Mixer
My House in Umbria (2003)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Humphrey Dixon
Music Recording Engineer / Score Mixer
Remember Me, My Love (2003)
Directed by: Gabriele Muccino
Cinematography by: Marcello Montarsi
Edited by: Claudio Di Mauro
Score Mixer, Sound Engineer
Pinocchio (2002)
Directed by: Roberto Benigni
Cinematography by: Dante Spinotti
Edited by: Simona Paggi
Cameras: Panavision Panaflex Platinum Camera
Music Recording Engineer
Ciao America (2002)
Directed by: Frank Ciota
Cinematography by: Giulio Pietromarchi
Edited by: Tia Schellstede
Music Scoring Engineer
Vajont - La diga del disonore (2001)
Directed by: Renzo Martinelli
Cinematography by: Blasco Giurato
Edited by: Massimo Quaglia
Music Scoring Engineer
Malèna (2000)
Directed by: Giuseppe Tornatore
Cinematography by: Lajos Koltai
Edited by: Massimo Quaglia
Cameras: Panavision Cameras
Music Scoring Engineer
Vatel (2000)
Directed by: Roland Joffé
Cinematography by: Robert Fraisse
Edited by: Noëlle Boisson
Score Mixer, Sound Engineer
Tea with Mussolini (1999)
Directed by: Franco Zeffirelli
Cinematography by: David Watkin
Edited by: Tariq Anwar
Music Scoring Engineer
The Children of the Century (1999)
Directed by: Diane Kurys
Cinematography by: Vilko Filac
Edited by: Joële Van Effenterre
Music Scoring Engineer
The Phantom of the Opera (1998)
Directed by: Dario Argento
Cinematography by: Ronnie Taylor
Edited by: Anna Rosa Napoli
Score Mixer, Sound Engineer
Bulworth (1998)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Music Recording Engineer
Polish Wedding (1998)
Directed by: Theresa Connelly
Cinematography by: Guy Dufaux
Score Mixer, Sound Engineer
U Turn (1997)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Score Mixer, Sound Engineer
Lolita (1997)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Music Mixer / Music Recordist
Life Is Beautiful (1997)
Directed by: Roberto Benigni
Cinematography by: Tonino Delli Colli
Edited by: Simona Paggi
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Engineer
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Assistant Sound Engineer: Forum Studio-Rome
Bugsy (1991)
Directed by: Barry Levinson
Cinematography by: Allen Daviau