Legal Counsel: US
The Loft (2014)
Directed by: Erik Van Looy
Cinematography by: Nicolas Karakatsanis
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Production Legal
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Production Legal Services
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Attorney
Blue Valentine (2010)
Directed by: Derek Cianfrance
Cinematography by: Andrij Parekh
Cameras: ARRIFLEX 416 Camera, Red One Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Production Legal
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Executive Producer
Second Best (2004)
Directed by: Eric Weber
Cinematography by: Christopher Norr
Edited by: Craig Cobb
Executive Producer
Northfork (2003)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Leo Trombetta
Production Counsel
Homegrown (1998)
Directed by: Stephen Gyllenhaal
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Legal Services
Miss Evers' Boys (1997)
Directed by: Joseph Sargent
Cinematography by: Donald M. Morgan
Edited by: Michael Brown
Production Attorney: Surpin, Mayersohn & Edelstone
Mad Dog Time (1996)
Directed by: Larry Bishop
Cinematography by: Frank Byers
Edited by: Norman Hollyn
Editing System: Lightworks Editing System
Legal Services
The Opposite Sex and How to Live with Them (1992)
Directed by: Matthew Meshekoff
Cinematography by: Jacek Laskus
Edited by: Adam Weiss
