Supervising Sound Recordist: Mix Stage
Dandelion (2004)
Directed by: Mark Milgard
Cinematography by: Tim Orr
Edited by: Amy E. Duddleston
Supervising Sound Recordist: Mix Stage
Brass Tacks (2004)
Directed by: Gavin Dougan
Cinematography by: Edwin Myers
Cameras: ARRIFLEX Camera
Supervising Sound Recordist
Elephant (2003)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Gus Van Sant
Lenses: Zeiss Super Speed Lenses
Mix Recordist
Finding Home (2003)
Directed by: Lawrence David Foldes
Cinematography by: Jeffrey Seckendorf
Edited by: Todd C. Ramsay
Machine Room Recordist
The Singing Detective (2003)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jeff Wishengrad
Supervising Mix Stage Recordist: Saul Zaentz Film Center , Supervising Sound Recordist: Mix Stage
Spin (2003)
Directed by: James Redford
Cinematography by: Paul Ryan
Edited by: Nick Smith
Cameras: Panavision Cameras
Editing System: Autodesk Smoke Editing System
Supervising Sound Recordist: Mix Stage
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Machine Room Supervisor
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Machine Room Supervisor
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Supervisor: Machine Room
The Deep End (2001)
Cinematography by: Giles Nuttgens
Edited by: Lauren Zuckerman
Supervising Sound Recordist: Mix Stage
Me You Them (2000)
Directed by: Andrucha Waddington
Cinematography by: Breno Silveira
Edited by: Vicente Kubrusly
Supervising Sound Recordist: Mix Stage
Where the Money Is (2000)
Directed by: Marek Kanievska
Cinematography by: Thomas Burstyn
Supervising Sound Recordist: Mix Stage
Finding Forrester (2000)
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
Supervising Sound Recordist: Mix Stage
Lush (2000)
Directed by: Mark Gibson
Cinematography by: Caroline Champetier
Edited by: Sarah Flack
Supervising Sound Recordist: Mix Stage
Outside Providence (1999)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Cameras: Panavision Panaflex Camera
Supervising Sound Recordist: Mix Stage
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Supervising Sound Recordist: Mix Stage
Pecker (1998)
Directed by: John Waters
Cinematography by: Robert M. Stevens
Edited by: Janice Hampton
Supervising Sound Recordist: Mix Stage
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Machine Room Supervisor
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Supervising Sound Recordist: Mix Stage
Amazon (1997)
Directed by: Kieth Merrill
Cinematography by: Mike Hoover
Edited by: Stephen L. Johnson
Machine Room
The Long Way Home (1997)
Directed by: Mark Jonathan Harris
Cinematography by: Don Lenzer
Edited by: Kate Amend
Foley Recordist / Machine Room Supervisor
Wounded (1997)
Directed by: Richard Martin
Cinematography by: Gregory Middleton
Edited by: Kerry Uchida
Machine Room Supervisor
The Apostle (1997)
Directed by: Robert Duvall
Cinematography by: Barry Markowitz
Edited by: Stephen Mack
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Machine Room Supervisor
Drive, She Said (1997)
Directed by: Mina Shum
Cinematography by: Peter Wunstorf
Edited by: Michelle Floyd
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Supervising Sound Recordist: Mix Stage
Blood and Wine (1996)
Directed by: Bob Rafelson
Cinematography by: Newton Thomas Sigel
Edited by: Steven Cohen
Staff: The Saul Zaentz Film Center, Supervising Sound Recordist: Mix Stage
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Post-production Sound Recordist
Red Rock West (1993)
Directed by: John Dahl
Cinematography by: Marc Reshovsky
Edited by: Scott Chestnut
Sound Recordist
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Staff: Film Center - 2002 Director's Cut
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
