Visual Effects
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Digital Compositor: Custom Film Effects
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Title Designer
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Animator
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Animator
The Matador (2005)
Directed by: Richard Shepard
Cinematography by: David Tattersall
Edited by: Carole Kravetz Aykanian
Title Designer
The Pacifier (2005)
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Digital Art Director: Custom Film Effects, Title Designer
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Digital Compositor: Custom Film Effects
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Digital Compositor: Custom Film Effects
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Digital Compositor
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Compositor: Custom Film Effects
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Digital Compositor: Custom Film Effects
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Title Designer
Dodgeball: A True Underdog Story (2004)
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Digital Compositor
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
