Creative Consultant
I Don't Know How She Does It (2011)
Directed by: Douglas McGrath
Cinematography by: Stuart Dryburgh
Edited by: Camilla Toniolo
Production Consultant
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Producer, Second Unit Director
The Holiday (2006)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Platinum Camera
Visual Consultant
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Executive Producer
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Production Consultant, Second Unit Director
Spanglish (2004)
Directed by: James L. Brooks
Cinematography by: John Seale
Producer, Second Unit Director: New York
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Filmic Consultant
The Affair of the Necklace (2001)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Film Mentor
Eyeball Eddie (2001)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: Matthew Jensen
Co-producer
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Co-producer, Second Unit Director , Storyboard Artist
What Women Want (2000)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Special Consultant
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Co-producer, Second Unit Director: UK, Storyboard Artist , Tourist
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Special Consultant
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Matte Effects
A Very Brady Sequel (1996)
Directed by: Arlene Sanford
Cinematography by: Mac Ahlberg
Edited by: Anita Brandt Burgoyne
Second Unit Director: Montage Sequences
Dunston Checks In (1996)
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Filmic Consultant
Weekend at Bernie's II (1993)
Directed by: Robert Klane
Cinematography by: Edward Morey III
Edited by: Peck Prior
Matte Supervisor
The Josephine Baker Story (1991)
Directed by: Brian Gibson
Cinematography by: Elemér Ragályi
Edited by: Graham Walker
Matte Supervisor
The Naked Gun 2½: The Smell of Fear (1991)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Matte Supervisor
Psycho IV: The Beginning (1990)
Directed by: Mick Garris
Cinematography by: Rodney Charters
Edited by: Charles Bornstein
Visual Effects Supervisor
The Naked Gun: From the Files of Police Squad! (1988)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Associate Producer, Second Unit Director: East Coast Second Unit
Baby Boom (1987)
Directed by: Charles Shyer
Cinematography by: William A. Fraker
Edited by: Lynzee Klingman
Cameras: Panavision Cameras
Filmic Consultant
Some Kind of Wonderful (1987)
Directed by: Howard Deutch
Cinematography by: Jan Kiesser
Matte Cameraman
Near Dark (1987)
Directed by: Kathryn Bigelow
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Matte Cameraman
'night, Mother (1986)
Directed by: Tom Moore
Cinematography by: Stephen M. Katz
Edited by: Suzanne Pettit
Associate Producer, Filmic Consultant, Second Unit Director
Moving Violations (1985)
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls
Re-shoot Consultant
Johnny Dangerously (1984)
Directed by: Amy Heckerling
Cinematography by: David M. Walsh
Edited by: Pembroke J. Herring
Cameras: Panavision Cameras
Floor Manager
The Osterman Weekend (1983)
Directed by: Sam Peckinpah
Cinematography by: John Coquillon
Cameras: Panavision Cameras
Matte Cameraman
Hanky Panky (1982)
Directed by: Sidney Poitier
Cinematography by: Arthur J. Ornitz
Edited by: Harry Keller