Tom Ajar

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The Master | ShotOnWhat?

Projectionist

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

There Will Be Blood | ShotOnWhat?

Projectionist

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Babel | ShotOnWhat?

Dailies Projectionist: Mexico

Babel (2006)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Sideways | ShotOnWhat?

Projectionist

Sideways (2004)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Master and Commander: The Far Side of the World | ShotOnWhat?

Projectionist

Master and Commander: The Far Side of the World (2003)

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Punch-Drunk Love | ShotOnWhat?

Projectionist

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Thirteen Days | ShotOnWhat?

Projectionist

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

American Pie | ShotOnWhat?

Dailies Projectionist

American Pie (1999)

Directed by: Paul Weitz, Chris Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

Deep Blue Sea | ShotOnWhat?

Projectionist

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Boogie Nights | ShotOnWhat?

Projectionist

Boogie Nights (1997)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Outbreak | ShotOnWhat?

Projectionist

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Dying Young | ShotOnWhat?

Projectionist

Dying Young (1991)

Directed by: Joel Schumacher

Cinematography by: Juan Ruiz Anchía

Edited by: Robert Brown, Jim Prior

Stand by Me | ShotOnWhat?

Projectionist

Stand by Me (1986)

Directed by: Rob Reiner

Cinematography by: Thomas Del Ruth

Edited by: Robert Leighton

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

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