Samuel Simanjuntak

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Sonic the Hedgehog 2 | ShotOnWhat?

Visual Effects Department Supervisors

Sonic the Hedgehog 2 (2022)

Directed by: Jeff Fowler

Cinematography by: Brandon Trost

Edited by: Jim May

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Wonder Woman 1984 | ShotOnWhat?

Lead Environment Generalist: DNEG

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Murder on the Orient Express | ShotOnWhat?

Environment Technical Director: MPC

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Wonder Woman | ShotOnWhat?

Environment Technical Director: MPC

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

X-Men: Apocalypse | ShotOnWhat?

Environment Technical Director: MPC

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

The Legend of Tarzan | ShotOnWhat?

Environment Technical Director: MPC

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Suicide Squad | ShotOnWhat?

Environment Technical Director: MPC

Suicide Squad (2016)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: John Gilroy

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pan | ShotOnWhat?

Environment Technical Director: MPC

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

The Martian | ShotOnWhat?

Environment Technical Director: MPC

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Cinderella | ShotOnWhat?

Environment Technical Director: MPC

Cinderella (2015)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

X-Men: Days of Future Past | ShotOnWhat?

Effects Technical Director: MPC

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

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