Digital Compositor
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Digital Compositor: Rodeo FX
Two Lovers and a Bear (2016)
Directed by: Kim Nguyen
Cinematography by: Nicolas Bolduc
Edited by: Richard Comeau
Cameras: ARRI ALEXA XT Camera
Digital Compositor: Rodeo FX
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Digital Compositor: Rodeo FX
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Digital Compositor
The Colony (2013)
Directed by: Jeff Renfroe
Cinematography by: Pierre Gill
Edited by: Aaron Marshall
Cameras: ARRI ALEXA Camera
Compositor
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
Rebelle (2012)
Directed by: Kim Nguyen
Cinematography by: Nicolas Bolduc
Edited by: Richard Comeau
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Vision Globale
Upside Down (2012)
Directed by: Juan Solanas
Cinematography by: Pierre Gill
Edited by: Paul Jutras
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
