Eric Grimenstein

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The Lovely Bones | ShotOnWhat?

Lead Lighting & Effects Technical Director: Weta Digital

The Lovely Bones (2009)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Water Technical Director: Weta Digital

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

The Day the Earth Stood Still | ShotOnWhat?

Effects Technical Director: Weta Digital

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

The Water Horse | ShotOnWhat?

Water Technical Director: Weta Digital

The Water Horse (2007)

Directed by: Jay Russell

Cinematography by: Oliver Stapleton

Edited by: Mark Warner

No Time for Nuts | ShotOnWhat?

Effects Technical Director

No Time for Nuts (2006)

Direct to Video

Directed by: Chris Renaud, Mike Thurmeier

Edited by: James Palumbo

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