Mike Lutz

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Avengers: Endgame | ShotOnWhat?

On Set Reader #2, Set Costumer

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Set Costumer

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Thor: Ragnarok | ShotOnWhat?

Key Costumer: Additional Photography

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

"House of Cards" Chapter 48 | ShotOnWhat?

Speechwriter 1

'House of Cards' Chapter 48 (2016)

Television Episode

Directed by: Robin Wright

Cinematography by: Peter Konczal

Edited by: Byron Smith

House of Cards | ShotOnWhat?

Speechwriter 1

House of Cards (2013)

Television Series

Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives

Edited by: Lisa Bromwell, Byron Smith, Cindy Mollo, Sidney Wolinsky, Michelle Tesoro, Yuka Shirasuna, Kirk Baxter, Michael Ruscio, Katherine Skjerping, Josh Beal, Grant Surmi, Kyle Traynor

Cameras: Red Epic Camera, Red Epic Dragon Camera, Red Weapon Dragon Camera

Lenses: Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses

Beneath the Blue | ShotOnWhat?

Ensign

Beneath the Blue (2010)

Directed by: Michael D. Sellers

Cinematography by: Lila Javan, Paul Mockler

Edited by: Mark Linthicum, Bailey Williams

Cameras: Red One Camera

Kicking & Screaming | ShotOnWhat?

Set Costumer

Kicking & Screaming (2005)

Directed by: Jesse Dylan

Cinematography by: Lloyd Ahern II

Edited by: Stuart H. Pappé, Peter Teschner

The Terminal | ShotOnWhat?

Costumer

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Anchorman: The Legend of Ron Burgundy | ShotOnWhat?

Set Costumer

Anchorman: The Legend of Ron Burgundy (2004)

Directed by: Adam McKay

Cinematography by: Thomas E. Ackerman

Edited by: Brent White

Bruce Almighty | ShotOnWhat?

Costumer

Bruce Almighty (2003)

Directed by: Tom Shadyac

Cinematography by: Dean Semler

Edited by: Scott Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

Catch Me If You Can | ShotOnWhat?

Costumer

Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Osmosis Jones | ShotOnWhat?

Set Costumer

Osmosis Jones (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Lois Freeman-Fox, Stephen Schaffer, Sam Seig

Dude, Where's My Car? | ShotOnWhat?

Costumer

Dude, Where's My Car? (2000)

Directed by: Danny Leiner

Cinematography by: Robert M. Stevens

Edited by: Kimberly Ray

The Faculty | ShotOnWhat?

Costumer, Hornet Mascot

The Faculty (1998)

Directed by: Robert Rodriguez

Cinematography by: Enrique Chediak

Edited by: Robert Rodriguez

Cameras: Panavision Cameras

Buffalo Soldiers | ShotOnWhat?

Man, Set Costumer

Buffalo Soldiers (1997)

Television Movie

Directed by: Charles Haid

Cinematography by: William Wages

Edited by: Andrew Doerfer

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