Bogdan Mihajlovic

14 Titles

Is this you? Add a Profile

Second Act | ShotOnWhat?

Senior Matchmove Artist: Qlbeans

Second Act (2018)

Directed by: Peter Segal

Cinematography by: Ueli Steiger

Edited by: Jason Gourson

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

Vox Lux | ShotOnWhat?

3d Tracker: The Artery

Vox Lux (2018)

Directed by: Brady Corbet

Cinematography by: Lol Crawley

Edited by: Matthew Hannam

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Phantom Thread | ShotOnWhat?

Matchmove Supervisor: Qlbeans / Visual Effects Supervisor: Qlbeans

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

The Adjustment Bureau | ShotOnWhat?

Senior Technical Director/ Visual Effects Onset Supervisor: Rhino-gravity

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Tower Heist | ShotOnWhat?

Machmove TD: Gravity

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Salt | ShotOnWhat?

Match Move Supervisor: Rhino

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

The Other Guys | ShotOnWhat?

Visual Effects Onset Supervisor: Rhino-gravity

The Other Guys (2010)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

"Bored to Death" Forty-Two Down! | ShotOnWhat?

Lead Roto: Rhino-gravity

'Bored to Death' Forty-Two Down! (2010)

Television Episode

Directed by: Troy Miller

Cinematography by: Vanja Cernjul

Edited by: Ken Eluto

Bored to Death | ShotOnWhat?

Lead Roto: Rhino-gravity - 1 Episode, 2010

Bored to Death (2009)

Television Series

Directed by: Michael Lehmann, Adam Bernstein, Alan Taylor, Tristram Shapeero, Paul Feig, Tucker Gates, Nicole Holofcener, Troy Miller

Cinematography by: Vanja Cernjul

Edited by: Ken Eluto, Meg Reticker, Malcolm Jamieson, Agnes Grandits

Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera

I Love You Phillip Morris | ShotOnWhat?

Digital Tracker: RhinoFX

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

Soul Men | ShotOnWhat?

Matchmove Technical Director: RhinoFX

Soul Men (2008)

Directed by: Malcolm D. Lee

Cinematography by: Matthew F. Leonetti

Edited by: William Henry, Paul Millspaugh

Vicky Cristina Barcelona | ShotOnWhat?

Lead Modeler

Vicky Cristina Barcelona (2008)

Directed by: Woody Allen

Cinematography by: Javier Aguirresarobe

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

The Reader | ShotOnWhat?

Lead Matchmove Technical Director: RhinoFX

The Reader (2008)

Directed by: Stephen Daldry

Cinematography by: Roger Deakins, Chris Menges

Edited by: Claire Simpson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Perfect Stranger | ShotOnWhat?

Visual Effects Onset Supervisor: RhinoFX

Perfect Stranger (2007)

Directed by: James Foley

Cinematography by: Anastas N. Michos

Edited by: Christopher Tellefsen

The Nanny Diaries | ShotOnWhat?

Lead Technical Advisor: Rhinofx

The Nanny Diaries (2007)

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Terry Stacey

Edited by: Robert Pulcini

©2012 - 2025 ShotOnWhat?

20254.20