Simon Lecavalier

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Wildlife | ShotOnWhat?

Vfx Supervisor: Digital District

Wildlife (2018)

Directed by: Paul Dano

Cinematography by: Diego García

Edited by: Louise Ford, Matthew Hannam

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fast 8 | ShotOnWhat?

Lighting Artist: Double Negative

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Wonder Woman | ShotOnWhat?

Lighting Artist: Double Negative

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

The Mummy | ShotOnWhat?

Lighting Artist: DNEG

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Captain America: Civil War | ShotOnWhat?

Lighting Td: ILM

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Jurassic World | ShotOnWhat?

Lighting Artist: Hybride

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Cinderella | ShotOnWhat?

Lightning Td

Cinderella (2015)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

X-Men: Days of Future Past | ShotOnWhat?

Lighting Td: MPC

X-Men: Days of Future Past (2014)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Now You See Me | ShotOnWhat?

Lighting Technical Direcrtor: Modus FX

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

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