Hiroyuki Okubo

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Chronicle | ShotOnWhat?

Effects Artist: Rhythm And Hues Studios

Chronicle (2012)

Directed by: Josh Trank

Cinematography by: Matthew Jensen

Edited by: Elliot Greenberg

Cameras: ARRI ALEXA Camera, Canon Vixia HF M30 Camera, Canon XL1 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Let Me In | ShotOnWhat?

Lighter: Method Studios / Look Development Lead: Method Studios

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

X-Men Origins: Wolverine | ShotOnWhat?

Visual Effects Artist

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Blood Creek | ShotOnWhat?

Effects Lead: R!OT

Blood Creek (2009)

Directed by: Joel Schumacher

Cinematography by: Darko Suvak

Edited by: Mark Stevens

The Time Traveler's Wife | ShotOnWhat?

Fx: R!OT

The Time Traveler's Wife (2009)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

17 Again | ShotOnWhat?

Visual Effects Artist

17 Again (2009)

Directed by: Burr Steers

Cinematography by: Tim Suhrstedt

Edited by: Padraic McKinley

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Spirit | ShotOnWhat?

Lead Lighting Technical Director: R!OT

The Spirit (2008)

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

The Burning Plain | ShotOnWhat?

Effects: Riot

The Burning Plain (2008)

Directed by: Guillermo Arriaga

Cinematography by: Robert Elswit

Edited by: Craig Wood

Cameras: Panavision Cameras

Pirates of the Caribbean: At World's End | ShotOnWhat?

Technical Director: Luma Pictures

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

The Seeker: The Dark Is Rising | ShotOnWhat?

Visual Effects: R!OT

The Seeker: The Dark Is Rising (2007)

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

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