Katie Roehrick

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Godzilla | ShotOnWhat?

Visual Effects Line Producer: Double Negative

Godzilla (2014)

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Calvary | ShotOnWhat?

Visual Effects Production Manager

Calvary (2014)

Directed by: John Michael McDonagh

Cinematography by: Larry Smith

Edited by: Chris Gill

Cameras: ARRI ALEXA Series Cameras

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo Zoom Lenses

Shadow Dancer | ShotOnWhat?

Visual Effects Coordinator: LipSync Post

Shadow Dancer (2012)

Directed by: James Marsh

Cinematography by: Rob Hardy

Edited by: Jinx Godfrey

Lay the Favorite | ShotOnWhat?

Visual Effects Coordinator

Lay the Favorite (2012)

Directed by: Stephen Frears

Cinematography by: Michael McDonough

Edited by: Mick Audsley

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Total Recall | ShotOnWhat?

Senior Visual Effects Coordinator: LipSync Post

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Byzantium | ShotOnWhat?

Visual Effects Coordinator: LipSync Post

Byzantium (2012)

Directed by: Neil Jordan

Cinematography by: Sean Bobbitt

Edited by: Tony Lawson

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

Now Is Good | ShotOnWhat?

Visual Effects Coordinator

Now Is Good (2012)

Directed by: Ol Parker

Cinematography by: Erik Wilson

Edited by: Peter Lambert

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Salmon Fishing in the Yemen | ShotOnWhat?

Cg Artist: Method / Visual Effects Coordinator

Salmon Fishing in the Yemen (2011)

Directed by: Lasse Hallström

Cinematography by: Terry Stacey

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Unknown | ShotOnWhat?

Visual Effects Coordinator

Unknown (2011)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Timothy Alverson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 765 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Deep Blue Sea | ShotOnWhat?

Visual Effects Coordinator

The Deep Blue Sea (2011)

Directed by: Terence Davies

Cinematography by: Florian Hoffmeister

Edited by: David Charap

My Week with Marilyn | ShotOnWhat?

Visual Effects Coordinator: Lipsync Post

My Week with Marilyn (2011)

Directed by: Simon Curtis

Cinematography by: Ben Smithard

Edited by: Adam Recht

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Shame | ShotOnWhat?

Visual Effects Coordinator: Lipsync Post

Shame (2011)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses

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