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Switch VFX | 4 Titles

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Blonde (2022)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1, 2.39:1 | 167 Minutes

Directed by | Andrew Dominik | Cinematography by | Chayse Irvin | Editing by | Adam Robinson

Starring | Ana de Armas, Lily Fisher, Julianne Nicholson

Cameras | ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Dolphin Tale 2 (2014)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock

Starring | Morgan Freeman, Ashley Judd, Nathan Gamble, Cozi Zuehlsdorff

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Saw V (2008)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Saw V | ShotOnWhat?

Directed by | David Hackl | Cinematography by | David A. Armstrong | Editing by | Kevin Greutert

Starring | Scott Patterson, Costas Mandylor, Tobin Bell, Betsy Russell

Repo! The Genetic Opera (2008)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Darren Lynn Bousman | Cinematography by | Joseph White | Editing by | Harvey Rosenstock

Starring | Paul Sorvino, Anthony Head, Alexa PenaVega, Sarah Brightman

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

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