Ben Soan

18 Titles

Is this you? Add a Profile

"1923" Nothing Left to Lose | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' Nothing Left to Lose (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Visual Effects Lead Data Wrangler: Norway Unit

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

"1923" The War Has Come Home | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' The War Has Come Home (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

"1923" War and the Turquoise Tide | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' War and the Turquoise Tide (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Brooke Rupe, Byron Smith

"1923" Ghost of Zebrina | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' Ghost of Zebrina (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Christopher Gay

"1923" One Ocean Closer to Destiny | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' One Ocean Closer to Destiny (2023)

Television Episode

Directed by: Guy Ferland

Cinematography by: Robert McLachlan

Edited by: Todd Desrosiers, Chad Galster

"1923" The Rule of Five Hundred | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' The Rule of Five Hundred (2023)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Christopher Gay

1923 | ShotOnWhat?

Visual Effects On-set Supervisor - 8 Episodes, 2022-2023

1923 (2022)

Television Series

Directed by: Ben Richardson, Guy Ferland

Cinematography by: Corrin Hodgson, Ben Richardson, Robert McLachlan

Edited by: Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers

Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera

Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Leitz Summilux-C Series Lenses

"1923" 1923 | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' 1923 (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster

"1923" Nature's Empty Throne | ShotOnWhat?

Visual Effects On-set Supervisor

'1923' Nature's Empty Throne (2022)

Television Episode

Directed by: Ben Richardson

Cinematography by: Corrin Hodgson, Ben Richardson

Edited by: Chad Galster, Byron Smith

Brave New World | ShotOnWhat?

Lead Data Wrangler - 1 Episode, 2020

Brave New World (2020)

Television Series

Directed by: Owen Harris, Craig Zisk, Aoife McArdle, Andrij Parekh, Ellen Kuras

Cinematography by: Andrew Commis, Carl Sundberg, Gustav Danielsson

Edited by: Sacha Szwarc, Tom Hemmings, Dominic Strevens, Daniel Greenway

"Brave New World" Pilot | ShotOnWhat?

Lead Data Wrangler

'Brave New World' Pilot (2020)

Television Episode

Directed by: Owen Harris

Cinematography by: Gustav Danielsson

Edited by: Tom Hemmings

Pokémon Detective Pikachu | ShotOnWhat?

Vfx Data Wrangler, Visual Effects Data Wrangler

Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Overlord | ShotOnWhat?

Visual Effects Data Wrangler

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Wonder Woman | ShotOnWhat?

Lidar Technician

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

The Mummy | ShotOnWhat?

Lidar Technician/assistant Data Wrangler

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Doctor Strange | ShotOnWhat?

Lidar Technician

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Pan | ShotOnWhat?

Visual Effects

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

©2012 - 2024 ShotOnWhat?

20254.20