Lorilee Evans

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Sonic the Hedgehog 2 | ShotOnWhat?

Head Of Production Operations: MPC

Sonic the Hedgehog 2 (2022)

Directed by: Jeff Fowler

Cinematography by: Brandon Trost

Edited by: Jim May

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Bardo: False Chronicle of a Handful of Truths | ShotOnWhat?

Head Of Production Operations: MPC

Bardo: False Chronicle of a Handful of Truths (2022)

Directed by: Alejandro G. Iñárritu

Cinematography by: Darius Khondji

Edited by: Alejandro G. Iñárritu, Monica Salazar

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Guillermo del Toro's Pinocchio | ShotOnWhat?

Head Of Production Operations: MPC

Guillermo del Toro's Pinocchio (2022)

Movie

Directed by: Guillermo del Toro, Mark Gustafson

Cinematography by: Frank Passingham

Edited by: Holly Klein, Ken Schretzmann

Cameras: Canon EOS-1D Mark IV Camera

Shazam! | ShotOnWhat?

Vfx Production: MPC

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Vfx Coordinator: MPC

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wonder Woman | ShotOnWhat?

Visual Effects Production: MPC

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Alien: Covenant | ShotOnWhat?

Visual Effects Coordinator: MPC

Alien: Covenant (2017)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Angenieux Optimo DP Zoom Lenses, Panavision Compact Zoom Lenses, Panavision PVintage Prime Lenses

Ghost in the Shell | ShotOnWhat?

Visual Effects Production: MPC

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

The Finest Hours | ShotOnWhat?

Visual Effects Coordinator: MPC

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

The Legend of Tarzan | ShotOnWhat?

VFX Coordinator: MPC

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Pan | ShotOnWhat?

VFX Production Assistant: MPC

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

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