Sergio Diaz

15 Titles

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Nomadland | ShotOnWhat?

Additional Re-recording Mixer / Sound Designer / Supervising Sound Editor

Nomadland (2020)

Directed by: Chloé Zhao

Cinematography by: Joshua James Richards

Cameras: ARRI ALEXA Mini Camera, ARRI AMIRA Camera

Lenses: Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Lenses

Heli | ShotOnWhat?

Sound Designer

Heli (2013)

Directed by: Amat Escalante

Cinematography by: Lorenzo Hagerman

Edited by: Natalia López

Get the Gringo | ShotOnWhat?

Adr Recordist

Get the Gringo (2012)

Directed by: Adrian Grunberg

Cinematography by: Benoît Debie

Edited by: Steven Rosenblum

Cameras: Red One MX Camera

Lenses: Hawk V-Lite Lenses

For Greater Glory: The True Story of Cristiada | ShotOnWhat?

Adr Recordist

For Greater Glory: The True Story of Cristiada (2012)

Directed by: Dean Wright

Cinematography by: Eduardo Martínez Solares

Edited by: Richard Francis-Bruce, Mike Jackson

Cameras: ARRIFLEX 435 Camera

Lenses: Zeiss Lenses

Hellboy II: The Golden Army | ShotOnWhat?

Co-sound Supervisor , Lead Dialogue Editor

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Into the Wild | ShotOnWhat?

Supervising Adr Editor / Supervising Dialogue Editor

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

Silent Light | ShotOnWhat?

Supervising Sound Editor

Silent Light (2007)

Directed by: Carlos Reygadas

Cinematography by: Alexis Zabe

Edited by: Natalia López

Malos hábitos | ShotOnWhat?

Adr Editor / Dialog Editor

Malos hábitos (2007)

Directed by: Simón Bross

Cinematography by: Eduardo Martínez Solares

Edited by: Adolfo Ibarrola, Raúl Martínez

Babel | ShotOnWhat?

Dialogue Editor

Babel (2006)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Apocalypto | ShotOnWhat?

Adr Recordist

Apocalypto (2006)

Directed by: Mel Gibson

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: Aaton A-Minima Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Ikonoskop Cameras, Panavision Genesis Camera

Pan's Labyrinth | ShotOnWhat?

First Sound Editor

Pan's Labyrinth (2006)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Batalla en el cielo | ShotOnWhat?

Sound Designer / Supervising Sound Editor

Batalla en el cielo (2005)

Directed by: Carlos Reygadas

Cinematography by: Diego Martínez Vignatti

Edited by: Adoración G. Elipe, Benjamin Mirguet, Carlos Reygadas, Nicolas Schmerkin

Sangre | ShotOnWhat?

First Dialog Editor

Sangre (2005)

Directed by: Amat Escalante

Cinematography by: Alex Fenton

Edited by: Amat Escalante

Innocent Voices | ShotOnWhat?

First Assistant Sound Editor

Innocent Voices (2004)

Directed by: Luis Mandoki

Cinematography by: Juan Ruiz Anchía

Edited by: Aleshka Ferrero

21 Grams | ShotOnWhat?

Sound Editor

21 Grams (2003)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

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