Re-recording Mixer / Supervising Sound Editor
'PEN15' First Day (2019)
Directed by: Daniel Gray Longino
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Re-recording Mixer / Supervising Sound Editor
'PEN15' Ojichan (2019)
Directed by: Daniel Gray Longino
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Re-recording Mixer / Supervising Sound Editor
'PEN15' Miranda (2019)
Directed by: Daniel Gray Longino
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Re-recording Mixer / Supervising Sound Editor - 10 Episodes, 2019
PEN15 (2019)
Cameras: ARRI ALEXA Mini Camera
Re-recording Mixer / Supervising Sound Editor
'PEN15' Dance (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Re-recording Mixer / Supervising Sound Editor
'PEN15' Anna Ishii-Peters (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Re-recording Mixer / Supervising Sound Editor
'PEN15' Wild Things (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Re-recording Mixer / Supervising Sound Editor
'PEN15' Posh (2019)
Directed by: Andrew DeYoung
Cinematography by: Andy Rydzewski
Edited by: Amelia Allwarden
Re-recording Mixer / Supervising Sound Editor
'PEN15' AIM (2019)
Directed by: Sam Zvibleman
Cinematography by: Andy Rydzewski
Edited by: Matt McBrayer
Re-recording Mixer / Supervising Sound Editor
'PEN15' Community Service (2019)
Directed by: Andrew DeYoung
Cinematography by: Andy Rydzewski
Edited by: Amelia Allwarden
Re-recording Mixer / Supervising Sound Editor
'PEN15' Solo (2019)
Directed by: Andrew DeYoung
Cinematography by: Andy Rydzewski
Edited by: Taichi Erskine
Assistant Sound Editor
Happy Death Day (2017)
Directed by: Christopher Landon
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Assistant Sound Editor
Brad's Status (2017)
Directed by: Mike White
Cinematography by: Xavier Grobet
Edited by: Heather Persons
Cameras: ARRI ALEXA Series Cameras
Assistant Sound Editor
Get Out (2017)
Directed by: Jordan Peele
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Zoom Lenses
Assistant Sound Editor
The Love Witch (2016)
Directed by: Anna Biller
Cinematography by: M. David Mullen
Edited by: Anna Biller
Cameras: ARRICAM Studio (ST) Camera
Editing System: Final Cut Pro Editing System
Assistant Sound Editor
Southside with You (2016)
Directed by: Richard Tanne
Cinematography by: Patrick Scola
Edited by: Evan Schiff
Assistant Sound Editor
Moonlight (2016)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA XT Plus Camera
Assistant Sound Editor
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Assistant Sound Editor
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
