Visual Effects Artist
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Visual Effects Artist: 3D
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
3d Animator: Worldwide FX
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Animator: 3D
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Animator: Worldwide FX
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Second Assistant Accountant
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
First Assistant Accountant, Visual Effects Artist
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
First Assistant Accountant
The Courageous Heart of Irena Sendler (2009)
Directed by: John Kent Harrison
Cinematography by: Jerzy Zielinski
Edited by: Henk Van Eeghen
First Assistant Accountant: Additional Phoptography
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Second Assistant Accountant
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
