Kenneth Ortiz

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The Irishman | ShotOnWhat?

C Camera Operator: Ken Ortiz

The Irishman (2019)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

Editing System: Lightworks Editing System

John Wick: Chapter 3 - Parabellum | ShotOnWhat?

Camera Operator

John Wick: Chapter 3 - Parabellum (2019)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Prime Lenses

You Were Never Really Here | ShotOnWhat?

B Camera Operator: Ken Ortiz

You Were Never Really Here (2017)

Directed by: Lynne Ramsay

Cinematography by: Thomas Townend

Edited by: Joe Bini

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Sharknado 2: The Second One | ShotOnWhat?

B-cam First Assistant: New York

Sharknado 2: The Second One (2014)

Television Movie

Directed by: Anthony C. Ferrante

Cinematography by: Ben Demaree

Edited by: Ana Florit, Vashi Nedomansky

Cameras: Blackmagic Cinema Camera, Red Epic Camera

Editing System: Adobe Premiere Editing System

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